Fluffy Audio Jazz Bass
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Description
All About That Bass
I’ll admit it. A double bass library has never been high on my wish list. In my mind it is a functional instrument but nothing much to get excited about. However, this library has really changed my mind. It has a nice, clear, detailed sound, and it’s fun to play. But before I get ahead of myself, let’s go over the terminology. The double bass is also called the “upright bass”, the “standup bass”, the “acoustic bass”, and even, at times, the “contrabass”. They’re all the same instrument, just different names. It has four strings, usually tuned to E, A, D, and G. Yes, that is exactly the range of a four-string bass guitar.
If you pluck the strings it is called pizzicato in orchestral music. Pizzicato means “plucked.” The plucked articulation is used in most popular music styles. Rockabilly, old blues, bluegrass, and jazz all use a plucked double bass. Even the song, All About That Bass, uses a plucked double bass. This library could possibly be used in all of the above-mentioned styles of music, but it is missing the slapped sound used in bluegrass and rockabilly. Otherwise, this library would be appropriate for any of these musical styles.
Details
The Simple Jazz Bass ( https://fluffyaudio.com/shop/simplejazzbass/ ) . It is delivered as a download link. Installation on my iMac 4GHz using macOS Sierra 10.12.6 went without any complications. I just unpacked the files and created a folder in my “Kontakt Libraries” folder.
The website has two videos that both demonstrate the instruments as well as walk through the features. These videos do a really good job of explaining what you get with this library. The first video walks you through the interface, while the second video contains a screenshot of a piano and Simple Jazz Bass version of the Steve Swallow song, Falling Grace, probably made most famous by Jim Hall and Pat Metheny. In both videos, you can plainly hear the Simple Jazz Bass in action, and I can attest that the sound on the videos reflects what Simple Jazz Bass sounds like when I play it.
Interface
The interface (GUI) has only two windows – simple! The first window covers what Fluffy Audio calls articulations: Polyphonic, Legato, Glissando, and FX, as well as a mixer with two microphone perspectives, and a Reverb adjustment. The second window covers the “under-the-hood” type settings: engine accuracy (useful for saving computer resources), neighbor-note round robin (more on this shortly), attack, release volume, legato velocity, smart legato, and compression.
Although I played around with all the settings, I found that I liked the factory settings just fine. I made good use of the legato function, but I had less success with the glissando and FX settings. I don’t mean this as a criticism of these features. I may have failed to figure out the correct playing style. I can say that by using notes a half-step or full-step apart gave me the ability to do glissandos.
Opinions
First of all, I’d like to say that I really enjoy the sound of the instrument. Not sure if it’s the “wooden” tone or the sound of the finger plucking the string, but there is detail to the sound. It sounds alive and real. I compared Simple Jazz Bass to the Jazz Upright and the Upright Bass instruments in the Kontakt Factory Library. Neither came close to Simple Jazz Bass’s detail. Both, to me, sounded more compressed, with the bass frequencies emphasized. Also, I could tell a difference in the way the notes ended, the Release Samples. Simple Jazz Bass “felt” real. The instrument is advertised as a solo instrument, and I believe it delivers.
If I were to have a complaint, it would be my desire for round-robin samples – where the instrument uses a different sample when you retrigger the same note. Fluffy Audio decided to use what they called “neighbor-note RR,” where they pitch neighboring notes rather than use true round robin. Solo, I could hear the difference on some notes in the lowest octave, but, frankly, it wasn’t that noticeable in a mixed situation.
I have spent a good bit of time with this instrument, mainly because I enjoy playing it. In retrospect, maybe I’ve short-changed the Upright Bass. Maybe, just maybe, it is All About That Bass!
Kurt Cobain –
This virtual bass instrument exceeded my expectations with its authentic, punchy sound – perfect for adding groove to my tracks!
Rihanna –
The sound quality is fantastic, definitely worth the price but the interface could be a bit more user-friendly.
AmyWinehouse –
I was blown away by the quality of the bass samples – they sound incredibly realistic and add so much depth to my compositions. Highly recommend!
The Clash –
The Jazz Bass has an authentic sound and a nice, warm tone that really adds depth to my tracks. Would definitely recommend to any bass player!
Pearl Jam –
I was blown away by the warm tone and realistic sound of this bass sample library. It really elevates my compositions and gives them a new level of depth. Would definitely recommend it to any musician looking to add quality bass to their tracks.
Maroon 5 –
Loving the rich tones and versatility of this bass sample library – definitely a standout in my collection!
One Direction –
I love the warm, rich tones of this bass sample library. It adds the perfect touch of groove to my tracks. Would definitely recommend.
Lady Gaga –
I was pleasantly surprised by the quality of the bass tones and versatility of this sample library. Would recommend to any music producer looking to add some authentic jazz bass to their tracks.
RedHotChiliPeppers –
This bass sound is so smooth and realistic, I can’t believe how great it sounds in my mixes! Worth every penny.
Eminem –
I love the rich tones from this bass – so versatile for all my jazz recordings, worth every penny!