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Native Instruments – STRAYLIGHT
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£20.00
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Description
SOUNDSCAPES, TONES, TRANSITIONS
- Unique cinematic granular timbres
- Tailored modulation with precise control of intensity and timing
- Drag and drop your own samples for one of a kind sounds
GRANULAR-BASED SOUND DESIGN
Craft unique cinematic soundscapes, transitions, and ambient tones in real-time. Built for sound designers and film, TV, and game composers, STRAYLIGHT is ideal for everything from post-apocalyptic sci-fi to gritty thrillers. It combines specialized grain and sample playback modules with carefully captured sound sources, effects, and a powerful performance-based X-Y modulation matrix, allowing inspirational dynamic performance and sound design, direct to picture.
Both the granular and sample modules offer deep editing possibilities for personalizing the source sounds and intelligent randomization for generating new sounds quickly.
SOUND SOURCES
STRAYLIGHT delivers screen-ready cinematic sound sources without the need for additional processing – letting you concentrate on creativity, even when time is tight. We spent a lot of time testing sources and playing techniques, looking for the best and most interesting sounds for the granular engine – such as rubbing a rubber ball on glass. The result is over 360 unique matched sound sources for the granular and sample modules, with over 300 presets.
THE GRANULAR ENGINE
STRAYLIGHT has a bespoke granular engine that places the source audio into a powerful and specialized – yet easy-to-use – interface. Harness lush, organic timbres that can defy time and pitch, yet still retain the pristine character of the source sounds (strings, glass, stone, membranes, even your own samples, and more), and sonically evolve over time (risers and transitions can adapt automatically to project tempo).
Small sounds can be vastly magnified in size and scope without sacrificing their sound quality or character. The granular engine is then paired with a layer from the sample module, offering the same level of editing and modulation.
PERFORM REAL-TIME MODULATION
STRAYLIGHT’s modulation and effects sections ensure a fast, creative workflow. The precise X-Y control enables expressive direct-to-picture performance and detailed control over intensity and timing. Apply and modulate up to 14 different effects – taken from nine different categories: Filters, dynamics, EQs, gaters, drivers, modulation, delays, utilities, and reverbs, as well as the renowned chorus, flanger, and phaser effects from MOD PACK. STRAYLIGHT even includes specially captured reverb impulse responses, selected to complement its audio content and granular engine.
CREATED WITH FRANK ELTING AND PAUL HASLINGER
STRAYLIGHT was built in collaboration with Frank Elting and The most human colors, a boutique instrument and sound design agency. The instrument was also developed in consultation with composer Paul Haslinger (Underworld, Minority Report, Fear The Walking Dead, Rainbow Six: Siege).
Here we talk to Paul about his approach to composing for film, TV, and video games, and how he drew on this experience to help us design STRAYLIGHT:
Selena Gomez –
I love the atmospheric and eerie sounds this software creates, perfect for adding depth to my music compositions. Would recommend to any producer looking to add unique textures to their tracks.
One Direction –
This virtual instrument has a unique sound and is easy to use, but I wish there were more presets to choose from.
Chris Brown –
I recently added this new plugin to my collection and was blown away by the unique sounds and textures it offers – highly recommend it!
Eminem –
Love the atmospheric soundscapes and intuitive controls on this virtual instrument – definitely a standout in my collection!
Bob Dylan –
I am thoroughly impressed by how user-friendly this software is, making it a breeze to create captivating soundscapes.
Billie Eilish –
I love the atmospheric textures and unique sounds this plugin offers, definitely adding a new dimension to my music production!
The Cure –
Impressed by the unique sounds and easy-to-navigate interface, definitely a game-changer for my music production setup.
TheWeeknd –
Loved the atmospheric soundscapes and ease of use, definitely added a unique touch to my music production setup.
ABBA –
Loving the atmospheric sounds and easy interface, totally worth the price!
Freddie Mercury –
I was blown away by the beautiful atmospheric sounds and how easy it was to tweak them to fit my project – definitely worth the investment.